In the interest of furthering that debate, let me offer three theses about Cuties, each of which is independently plausible, and all of which might be true. They are listed in ascending order of controversy. Thesis 1: Cuties may not have been exploitative, but its marketing clearly was. Even if the director did not exploit these children in the process of filming them a debatable proposition, given their clothes and dance movesNetflix certainly exploited them in its choice of how to present the film—a choice in which the children had no say, and in which the company had much to gain. At best, it muddied the message of an otherwise moral movie; at worst, it did the very thing Cuties claims to critique. Thesis 2: Cuties is a critique of child exploitation, but also an act of it. Well two things. That the film critiques child exploitation does not mean it was produced without exploiting children; after all, the whole premise of its critique is that kids are too young to make certain decisions about their bodies.
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